Image, we can interpret itself as a document (Freund, 1999), an object that can respond to differen

Performance and practice, become how to remove mold a crossroads of languages and aesthetics action between the social imagination and the need for cultural production. A place where ontological methodology for the analysis of performance practice, is literally linked to rites and the theoretical framework that defines the anthropology of ritual and performance. The study of ritual linked to performativity, highlights the events constant, regular and persistent community, returning a set of indicators of the cultural practices of the community. A world of social actions and representations of humans over the years, which aim to form a holistic structure of the practices of people in space and time to make sense of the culture process social channels communication of meanings how to remove mold that give meaning to the world, values, beliefs and identity construction. These define the individuals represented how to remove mold by your body. The performance is built from the action of the body toward the observer.
Perhaps the word "action" happens to be the most appropriate to translate the term "performance" in our language, within the anthropology of ritual studies and the performing arts. Although according to the case of symbolic interpretation, is also considered relevant the term "action" as like the action determines the staging of the person (Goffman, 2006), where the body is the center the whole existential activity. For that action must occur an action within the social representation that is embodied by the action (interpretation) of a person (body) in a given space (scene). Both the performance and involve action and presupposes the category of causality to reach your goal. His staging area linked to commuting and artistic intentionality implies a desire to be seen or heard, therefore, a process of communication and representation.
Representation refers etymologically "action to bring the eyes of someone" built the first presentation of a sensory illusion that the world is part of it. The term is used to represent multiple how to remove mold disciplines to explain how to organize how to remove mold different how to remove mold forms of presentation, taking different meanings depending on the context in which it is used (trade, art, sports, mathematics, design, technology, law and political science). But within that broad range, we focus on the social representation, which acts as a large container of wills, ideas and collective actions that are shared by members of social groups and communities themselves. It is the meaning that comes more crucial to the field of anthropology, where the representation of culture is conveyed through the written speech and other techniques of their own discipline. The case of visual anthropology, the complement of anthropological theory-based analysis of human reality through images, producer of audiovisual and photographic gaze from applying the ethnographer to its immediate surroundings. Everything that happens in front of the eye, forming a mental image, which can subsequently be transformed into an image material (Belting, 2007) a visual document.
Image, we can interpret itself as a document (Freund, 1999), an object that can respond to different forms of production, whether painting, photography, film, graphic. Photography in the early century. XVIII, and later film, opens the process of expanding visual culture as growing archive of contemporary cultures. A production machine representations embodied in documents of different formats, illustrating images how to remove mold of collective memory, instruments for legitimizing the social function of the imaginary, the symbolic representation constituting starting to shape mass culture on a trip and demystification of art hegemonic.
Victor Turner (1999), in an ethnographic study carried out on the ritual aspects of ndembu Zambia applies how to remove mold theater concepts to explain his theory of rites, thus determining a turn in the anthropology of ritual which incorporates the concept of multidisciplinary approach, a paradigm shift (MacLuhan, 2001) was the result of the passage of mechanization, defined how to remove mold by the sequences, how to remove mold to the era of instantaneous speed of electricity, which implies simultaneity. In this new structure, the anthropology of ritual adopts the characteristic of performativity, from the former for